Interview Peter Seynaeve, Belgian actor and director: “The most important aspect of working with children is creating a safe, trusting space.”
It's completely normal to involve children in performances for adults. The idea of banning children from being on stage, as it was in ancient Greece, would be foolish today. Of course, people have opinions about what children should be allowed to do on stage and what types of plays they should be part of.
Bobi Pricop se întoarce la Teatrul Excelsior din București cu un spectacol imersiv dedicat adolescenților – Șapte minute după miezul nopții (A Monster Calls)
Teatrul EXCELSIOR, singurul teatru din București dedicat adolescenților și tinerilor adulți, începe anul 2025 în forță, cu premiera spectacolului „Șapte minute după miezul nopții (A Monster Calls)”, în regia lui Bobi Pricop, scenografia realizată de Clara Pop și muzica originală semnată de Eduard Gabia & Călin Țopa.
The black swans of our times
The role of ballet, the stage form the play takes, is not to impress with virtuosity but to transform the literary material into a comedy of manners. The humor of this swan lake, with dancers who don’t rise onto their toes or execute perfect pirouettes, brings to light the human limitations of the characters.
The role of ballet, the stage form the play takes, is not to impress with virtuosity but to transform the literary material into a comedy of manners. The humor of this swan lake, with dancers who don’t rise onto their toes or execute perfect pirouettes, brings to light the human limitations of the characters.
A feminist film, as well as an overt critique of the neoliberal society which took over Eastern Europe in very aggressive forms after 1989, ”Don’t expect too much from the end of the world” is a way to fight back using images from the archives, a favorite means of the award-winning Romanian film director Radu Jude.
Of course, there are more questions than answers in this smart and sometimes funny despite the subject production directed by Lila Neuberger, and this is how it should be. The inspired directorial decision to place it in the round space of The Anspacher at the Public Theater, with almost no stage design, except the lights and some chairs, reminds us that theatre is an agora where concepts like democracy can and should be revisited and in-depth analyzed.
On 16 March, Solastalgia - a new installation by Grace Ellen Barkey - will open at Ebensee Landungsplatz train station.
