Revista NR. 31

Nr.ywwxvwShakespeareCUFURIEIZGOMOTde Mirella Patureau2OMEOASTELLUCCILVISERMANIS RZYSZTOF7ARLIKOWSKIVO6ANOVE2jZBOIPEACEBOOKPENTRUREFORMA sNINSTITUIILEDESPECTACOL2.OUTjIDESPRE22222jjjjjjZZZZZZBBBBBBOOOOOIIIIIPPPPPPPEEEEEEAAAAAACCCCCEEEEEBBBOOO22222jjjjjBBBBBIIIBBBB- DEZBATERE -AMILIA CONTEMPORANj0REZENAUNUIAN DISPjRUTOSUPRATEMj POLITICjsNTEATRUAAAUUUUUUUNNNNNNNUUUUUUIIIIIIIIAAAAAANNNNNNNUTTTTTTUUUUUUUUUNNNNNNNNNUUUUUUUIIIIIIIAAAAAAANNNNNNNNN19894RjIETI-AITIICUMEEDITORIALSunset Limited ggSunset LimitedB wB xBwYou are alive. Do you remember how it feels zywxvw xvvxz revistascena.ro0REZENAUNUIANDISPjRUT EVENIMENT3F010015362EFORMAsNINSTITUIILEDESPECTACOLCONTROVERSjzOBI0RICOP INTERVIU2ETRjINDTRECUTULVIA-ARCEL0ROUSTINOUTw0UNEREAINSCENjA-ALAEZIEIINOUTwICIUNEASPALjVIOLENAINOUTww4URNURANARATIVjINOUTwCjLjTORIEPRINREGNULGjINILORURIAEINOUTwy ARPAS vxv w g RAG1UEENSESEUyxVENTURADEONANIVERSAREzy6AVATEFjNESCUDANSINTERVIUxy3ISTEMULDEFINANAREAARTELORPOLITICICULTURALExwRZYSZTOF7ARLIKOWSKICRONICADEOPERAyz4EATRULCARESURSjCASTINGTOOLKITyZICONDIIAACTORULUIESUMBRjVOICEOVERzvREVERENjPENTRU3HAKESPEAREIPUBLICULSjUPUBLICULUISCENELExPUZZLE.7922EVOLUIA-INORITjILORx3HAKESPEARECUFURIEIZGOMOTde NINSORILE 4 4xISTORIIRECENTESTORIIRECENTEde yvPOSTFORMAAPTIVITATEACORPULUIDECURSjLUNGjde ywAMILIACONTEMPORANjOSUPRATEMjPOLITICjDEZBATEREyz.42623 actor Teatrul de Comedie wxvv yxyx2EFORMAsNINSTITUIILEDESPECTACOL3F01001536wB B.42623xywxzyx w x y z zyxwxvMihaela Michailov BFacebook war for reform of the public cultural institutions 6.-.4xw wwg ggxvvvxvvBgwwxvxB 9y xxvyw0REZENAUNUIANDISPjRUTi 6.-.4 wzxy z gxzww B wBwxvvvEVENT The powerful presence of a vanished yearmutugxvwxBwINTERVIUINTERVIEW UMIZEZPEECHIPjsNTEATRUxvwywxvwx v INTERVIUg rol de personaj principal. E un concept ca pe un soi de deus ex machina al timpului modern. BBRinocerii B g wvINTERVIU Bxvwgc-ai fost invitat Dar mai ales pentru ce Bxvww a g xg artist g Bgpractici cum a-i face-o BB Bobi Pricop g g ww 9 wy B.54Romeo Castellucci or how to share violence G5641-F70-G52OMEOASTELLUCCISHAREUIREAATROCITjIIw Bzvw wx.54 g B Bg 9CjLjTORIEPRINREGNULGjINILORURIAEwy.54xvwxvwxvwzyxzvwv BB3FWJPSVMJOWJJVOFBMVJMWJTFSNBOJTThe Inspector General as seen by Alvis Hermanis wz.54 wxBHermanis – controversatBxvvxxvvy xvwBxvvygw.544URNURANARATIVj41-35FTUJWBM.FODIFOyvxvwBB wzyvwxvwvvzvBxvwvxvwyThe Narrative Turn nlmqpl w xvwyzwyxyyxvvz BBww.54 wvvwwxv gzvwyx w.54B2ETRjINDTRECUTULVIA-ARCEL0ROUSTBxv wv dB nl w.54BwBwwvwvwBwv 1VOFSFBJOTDFOFB.BMBFJFJwxvwzwBBwv w.54w wvvvB9vBwzxvvv9v9vBxvvBwBw PROMOxwB ggzvzwwzwwwwxvwx yB 0454524JTUFNVMEFGJOBOG6BSFBBSUFMPSO455-65TITLExx045452IwywzIzvBIwvvIvvBnu au politici culturalewBwvBxxBw xyDANSgg2ELAIAsNTREINSTITUIEIARTISTINDEPENDENTCONINEUNFELDECONFLICTDEABORDAREgBwxvvyBg xvwxvwxxvwBCare sunt problemele majore ale remediate wvxwww BBxvw xvwxvwzxvwBINTERVIEW gg qsxzDANSgxvw Wwperspectiva CNDB B Ministerului cu privire la activitatea CNDB B gcalitate de artist Bxwxw wxvw a xwgwwvwvvvvzvwB g ..3244ARNANEMULUMIRILORNOASTREVARACsTORVAAMINTIRISAU3HAKESPEARECUFURIEIZGOMOTYESTERDAYS SNOW The winter of our discontent the summer of memoriesmtp n l ..3244xgvxw goes onB xy Bxwzywyxvw Bwzxvg zwzxzwB e gwxvvxvvxzyxvx..3244 din xvw xvww BIvo Van Hove sau Puterea sub scanerg BB REVERENjPENTRU3HAKESPEAREIPUBLICULSjUxwzwBwwvB ww wvyvvvvxvvvvv 3.05559 A bow for Shakespeares audience pllB wwzvv a 2EVOLUIA-INORITjILORxBBzvv xvv Founding a out wx wvvvv.79205Minorities Revolution mllllyvvBxvwwwzxvvzxvvzwvw9vxxvwyvxvvvxxywxvvvBde xvvyyxvv3422.4STORIIRECENTERecent Historiesul yww gB BwxyzB0342-APTIVITATEACORPULUIDECURSjLUNGjRAG1UEENSyxESEUB a xvxv G4JUSBOTHFOEFSJODVMUVSBQPQVMBSFyyESEU xvv Bg ESSAY yz2.02DELAASTELULLUIARBjLBASTRjLA6OCEA5MANjOPERA REVIEW mll wxde gxvw xvwSZTUPG8BSMJLPXTLJBwyxB B B din Byv34.44 yyPENTRUUNDIRECTORDECASTING5FBUSVMDBSFTVSTFGVOEBNFOUBMFwxy42OSUPRATEMjPOLITICjBNJMJBDPOUFNQPSBOFBWxBxgv y42DEBATE Contemporary Family a political theme nm B vwvvvvzvvBwvBwvxvvvxygvyy42gxwvvxxvvgxvv gwyy42zvBB vg Bgv BBB zv42Bgggzw42PROMOCPOFBFUFG4JUVQFOUSV vxxxwvvwQSFMVOHJSFBCPOBNFOU45 RONBCPOBNFOUOPV55 RONxvwXXXSFWJTUBTDFOBSPzy.6232.OTEDELUCRUDESPREsNFIINAREA4EATRULUIIULETIgwx yvwzzwANNIVERSARY sl WFOUVSB0EFPOxyBwzwwx BwxwywwyBwywwvwwxwywxyxvvwzxBzwzzwyBwzzwzBwzxvvvgwzB wzwzwzBiwz zwzzn BwvvvvBBywwx ywwzANIVERSAREzANIVERSAREwz zwzwzwwwywzzwvzwzwzwwgwzwwywzwzzwzwzwzxvxwgzywxzwxwyvBwzzzwzzwwzwzxvBgwxwzzwBgwzwzwzwzwzwwwxwzwzyzwvwvvxywwvZICONDIIAACTORULUIESUMBRjz9v 9vxvvxwzv gBxvvv B662iBBgVoice-over u l 662 STIRIzgwg gBvwvg0SPNBODFWBDPOEVDF5BOUIFBUFS8VQQFSUBMDPNQBOJB1JOFJBVTDIzxvvvBxvwz.–2–J4XBEPTFUFSOBGVHBSFwgB gBBwxxvwzg g g B ww xyteatru din Romnia.Bcreatoarelor din teatrul romnesc este unei imagini devalorizante a femeii wvvvxyBtrimise la concurs.wy yzxSe va lua n considerare data de trimitere wxvwxvw EQUALCONCURS DE DRAMATURGIE FEMINIST Radu AfrimregizorRevistaScena.roTrimite mesaj la scena.rogmail.comPENTRU C SCENA.RO RESPECT EXPERIMENTUL E SINGURA CARE SCRIE LUCID DESPRE ARTITII NOTRI CARE LUCREAZ N VEST CREDE NTR-UN TEATRU PROVOCATOR. SCENA.RO IGNOR TEATRUL DE AGREMENT I NU E BLOCAT N ADORAIA PENTRU TRECUTUL DE NEEGALAT AL TEATRULUI ROMNESC.NC DOU MOTIVE S-I ATEPT APARIIILE URMTOARE.M INTERESEAZ MULT SCENA.RO NC DE LA PRIMELE EI APARIII. SUNTEM N 2016 I M GNDESC C DAC DADAITII AR FI TRIT AZI SCENA.RO AR FI SINGURA REVIST DE ARTELE SPECTACOLULUI DE LA NOI CARE AR SCRIE DESPRE PERFORMANCE-URILE LOR.