Revista NR. 30

Nr.yvyxvwWim VandekeybusCREAIEI VremeacolectiveREADERRahova-Uranus de Cristina ModreanugDavid EsrigDDDaaaavvvviiiiddd EEEEsssrrriiigggggggCenzura a dezvoltat n mediul cultural o mentalitate de sclaviLeonardo Moreira- INTERVIU -Lumea este fisura dintre scena si experienta publiculuiIMITOLOGIACONTEMPORANjACORPULUI6REMEACREAIEICOLECTIVEEDITORIALbrainstorminggxvxwwyvwThe time of collective creation nl yvxvw xvvxz revistascena.roFNT – ntoarcerea la actorde Cristina ModreanuFESTIVALPOETICjPERFORMATIVjAactoruluiperformancew404ORME MODERNEIIMPLICAREACTIVjFESTIVALwyESTIVALULNTERNAIONALDETeatru pentru Copiide Florentina BratfanofFESTIVALwzEONARDO-OREIRALumea este fisura dintre…INTERVIUUK0ERCEVALINTERVIUwv1-503.53G50-F5536663G35AMILIACONTEMPORANjsNDEZBATEREPESCENATEATRALjBUCURETEANjFOCUSzLucie Pohl Comedia este INTERVIU ARPAS vxv AULTDELIMBAJIDETURNAREDEPERSONAJde Cristina ModreanuPROFILwUMEACAOTEXTURjAFECTIVjINOUTwARMENde Doina PappCRONICADEOPERAxx0AUZjCURIOZITATEIRjBDAREde Florentina BratfanofCASTINGTOOLKITy7IM6ANDEKEYBUSgDANSxz2AHOVA5RANUSESEUzvEFELDETEATRUNEDORIMINOUTxwAVIDSRIGINTERVIUxEsNSEAMNjDEZVOLTAREAPUBLICULUI05553.yyIBLIOTECA.424z0OLITIZAREATEATRELORUNPERICOLREACTIVATSTIRIz05.7922SAUGENIULSUBVERSIV ALLUI4AYLOR-ACyz24253FhRITULMAINSTREAMULUIde Andrs Viskyz.ORASAUCsNDJOCULCU PjPUILEDEVINEPERICULOSde ..32 4 4yvISTORII2.4NGHEULIDEOLOGICde y0342-2OLURILEPEDAGOGULUITEATRALde yzFOCUS1-503.53G50-F5536663G35wxwBon demandB HitlerAMILIACONTEMPORANjsNDEZBATEREPESCENATEATRALjBUCURETEANjBde reconciliere cu trecutul FOCUSspectacol vvB Bdin pot fi comparate cu Cutia g UMEAESTEFISURADINTRESCENjIEXPERIENAPUBLICULUIiBWxFOCUS gidentitate. Cum ai descrie identitatea mai multe scene ale lumii n teatru. Care este motivul pentru care show B OMEDIAESTESPORTULCELORsNDRjZNEIWxFESTIVALEFBOJEF5xwvxgnq gBxvntoarcerea la actorAi mei erau super FESTIVALxwgxvwx gBMoliendo Caf Bw9v Moliendo Caf FESTIVALBxvBFaustgMoliendo CafFaustBAi xv9vwv9vAi mei erau super wvINTERVIUUNUPOTFACETEATRUDEChTDACjDERIVjDINTRONECESITATEEMOIONALjgde oameni ntr-un mod ireversibil. Dar din punctul dvs. de vedere contextul n Bxvwgg g ggBBcelor peste cinci sute de spectatori INTERVIEW wwINTERVIU de durere a creatorului transmise gtrecut premiera a avut loc la Thalia xxxvwzwvvBggvBxvwz Frontabsurditatev B inferno gB xvwzFront wxwwzww wwwwzwwg ggxvBgmediaggLista gggFrontFrontFrontINTERVIUFront ORMEMODERNEIIMPLICAREACTIVjiwy346FTUJWBMVMOUFSOBG6JPOBMEF5FBUSVQFOUSV1VCMJDVM5BOFSBG4JxvwApolodorBstorytellingxvwBBByvwxCentenarul KantorAsparagusxvw .Histories Modern forms and active implicationtThe Green Cat wzFTUJWBMVMOUFSOBG6JPOBMEF5FBUSVQFOUSVPQJJuEF1PWFG4UJuOACAARTITILORPENTRUsNChNTAREACELORMICIBSpot DuetCuloriMandragora n FESTIVALuf WwPERFORMANCEPOETICjPERFORMATIVjAACTORULUIBWB WYA performative poetics for the actorWW wPROFIL4USBUFHJJEFTVCNJOBSFOBSBUJWFJOTQFDUBDPMFMFMVJ3BEVGSJN AULTDELIMBAJIDETURNAREDEPERSONAJwwntre noi totul e binexntre noi totul e bineFamily AffairswPROFILFamily Affairsntre noi totul e binentre noi totul e bineFamily AffairsTr a v e s t i u r i l e ntre noi totul e binemultitaskingFurtuna Subminarea textului dramaticBwxwwyxxvwww.54-VNFBDBPUFYUVSFBGFDUJWFzywxvwBw wwywBxvvzxvvzxvvxvvUwxvwyEnciclopedia Enciclopedia 9The world as an emotional texture FTUJWBMEAVUPNOF1BSJTw.54BBBxOnomatopeexBBBOnomatopeeByywg 9Bxvvwzv Une belle enfant blondexvvwvBdurata .54xv02-xw.54wwxvwPJWJJVOJNBOBHFSJBMFJOQPMJUJDBDVMUVSBMFEJOFSMJOxgxteatrului Berliner EnsembleByvvvxvw EFELDETEATRUNEDORIMxx2.022EVOLUIONjRIsNSPECTACOLELEDEOPERjIBALETCarmen wBxvwLes ChorgiesdOrangeCarmenoiseau rebelleCarmen Casa Bernardei Albaxy2.02Carmen xvwyBxvvvIsadora xPetite Mor tPetite mor t OPERA REVIEW Revolutions in opera and ballet xzDANS8JN7BOEFLFZCVTG4JNJUPMPHJBDPOUFNQPSBOFBDPSQVMVJgxvwwxvwUltima Bw yvRememberwLes Porteuses de wof a HandwvImmer das selbe gelogenwwHer Body Doesnt Fit Her Soul wyMountains Made of Barking wzwBereft of Blissful Union wwIn Spite wxvvvInner FieldsxvvwxvvxBlush xvvxxvvyPuur xvvSpiegelxvvMenskexvvxvvxvwwOedipusbt noirxvwwbooty LootingxvwxMonkey xvwxTalk to the Demon xvwzxvwRoselandwvLa MentirawxwyMountains Made of BarkingwzBereft of a Blissful UnionwDustwwwxvvvxvvwxvvxBlush xvvHere AfterxvvAt LastxvvMonkey xvwvxvw xDANSBBBBlush Rememberbooty LootingBDeusDANCE g DANSx Bbooty Looting booty LootingOedipusbt noirBBBB vBxINTERVIUENZURAADEZVOLTATsNMEDIULCULTURALOMENTALITATEDESCLAVIINTERVIEW Censorship created a slave mentality in the artistic world tl Bn minte propuneri de texte pe care pe GodotBxINTERVIU primit-o care a fost Nepotul lui Rameauw FurtunawxgwygUmbraB UmbraDeci atunci Furtuna din punctul acesta UmbraUmbraTr o i l u swFurtunaBggFurtunaFurtunaz ggggxINTERVIUwygBgFurtunaggggg g.ORASAUCsNDJOCULCUPjPUILEDEVINEPERICULOSyvxvwzw wgwxwwBxvvxwwxxxvvywyz.y Norathrillerloft9v Hedda Gablerzwxvyxvvzzxvw..3244356-14yw..3244gTu r a n d o tBB gxvvNoraCasa litalienneBxzxz YESTERDAYS SNOW Nora g02-EsNSEAMNjDEZVOLTAREAPUBLICULUIyy9vw yvxvwxvwzxvxvnumai peLumea eraBBBxvwz SCENELE PUBLICULUIAUDIENCES39 STAGESWhat does audience development means ql 3SAUGENIULSUBVERSIVALLUI4AYLOR-ACyzdrag hisherheretransgenderhirtransgendertheyBnormalNEW YORK PUZZLE nl 3FhRITULMAINSTREAMULUIPUFJODFVUBSFBJEFOUJUFG6JJUFBUSVMVJy w wzxzy xxwy2524 The End of Mainstream. Notes on after theatres identity nl y2524vwvwvwvBwvBBanagnorisisNGHEULIDEOLOGICywvwv9vw9vxBwwvzwxw9vB9v9vBgyyxvwzwvISTORII RECENTERECENT HISTORIES 2OLURILEPEDAGOGULUITEATRALyBtraineri BBPOSTFORMAThe roles of the theatrical educator ESPREPAUZjCURIOZITATEIRjBDAREyCASTING TOOLKITgB wvxvwB BwgxwzvvxwwxvwwwREADER RAHOVAURANUS.FUPEFQBSUJDJQBUJWFBMFQFEBHPHJFJBSUJTUJDFJOQSBDUJDJMFEFSUFDUJWFzvESEUCONTEXT.BxvvyzJoseph .pentruyxvvxvwyxvvxxvvxvvizxvvxvvxvvxvvxvwvgxvwyxvvxvwv BComunitare laBOMBACentru Comunitar pentru xwxvvxvwvzwESEUESSAY nllrLaborator Urban wwBprin intermediul istoriei personale a lui Joseph Mobil imaginii xvvxvvxvvyxvvxvwvywzxvvxvwyBBxB9vMarcel DuchampwvB9vww BwvBwwxwxvvwxg Centrului Comunitar laBOMBA wxxvwvvzwyBBiBBwy wzBw BwBwzgwwxxvvxwxvvwzxESEU Bwa a preda wwwwwyvMETODA DE CERCETARE.BBwxvvxvwyBxvsitewxvxvvxvwyzyESEU02-CPOFBFUFG4JUVQFOUSV vxxxwvvwQSFMVOHJSFBCPOBNFOU45 RONBCPOBNFOUOPV55 RONxvwXXXSFWJTUBTDFOBSP4GBSG4JUVMSFHJFJ europeanxvwwzzCARTEA DE TEATRUJCMJPUFDB5wxvwThe theaters library 4UBUVUVMBSUJTUVMVJUBOFSxvw FMJOJG4UJMFDSJUJDJMPSe xvwyxvwz wzxvwMPCFUSPUUFSEJOGPUPMJVxvvxvwxGlobetrotter din fotoliuxvwzCaiet de teatrologiexvv zCARTEA DE TEATRUSUBQPMJUJDFSFWJJUBUFxvw xvwyxvwyxvwyxvwyxvwyxvwzxvwzxvwzxvwzxvwyxvwzz342xzwyxvwNAMAEGANAIwvvBNAMAEGANAIwvStudioul de xxvwyxvwivBwivivwxiivwvig igwwiwzBiizSTIRICriticii de teatru se opun de spectacolBxwvwxvv BB BBwBwCodul 1PMJUJBSFBUFBUSFMPSVOQFSJDPMSFBDUJWBU